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Given the binding of Uncharted with cinema-style adventure, not at all surprising that it is profoundly difficult as understanding the strengths without going through the visual description of her best moments, with all the problems it would entail in terms of spoilers. D? 'On the other hand, not only Naughty Dog has never tried to hide the reference points of the saga, from Okapi to Indiana Jones to The Mummy, but he emphasized every point of contact in the two previous chapters with such sly insistence that comes naturally to judge Uncharted 3: L? 'Drake's Deception on the same basis of a film genre.

So not too different from Mass Effect for science fiction, or Red Dead Redemption for Western, Uncharted epitomizes the adventure genre and the declines in the sense of play to perfection, without any complexes about the underlying simplicity of the experience (which stripped of all evaluation of the case remains a "simple" third-person action game as the two previous sections), and a precise awareness of their strengths and how to capitalize.

This time, the treasure hunt Drake has as its objective the legendary Atlantis of the Sands, location? "Fortune and glory?" already at the pirate Francis Drake, John Dee and Lawrence of Arabia gave chase. Needless to pull out of the Sahara with a grin of Wilbur Smith: l? 'Plot in itself, stuff of secret societies, relics, treachery and danger, to be functional?' Row of increasingly exotic locations and evocative and their exploitation in Key spectacular. The damp streets of London to a museum in Colombia, a chateau in France to ruin in the woods of a crowded market, Middle East, the story ties with the dashed lines of the Indiana Jones interludes of all places? 'Imaginary adventures of a century and broken of genre fiction, but it also takes the luxury of offering a bad epochal as the icy Katharine Marlowe (Judi Dench and Helen Mire is caverebbero eyes at each other to interpret the film), a supporting actor in a position to break through the screen into two characters (thanks Cockney accent dubbing the original), and some little things on the side, like a couple of plot twists and revelations that radically change the tables on the series, which is nice and quiet . Despite the modest ambitions after all, the story is supported by a great script for the ability to sketch out the characters (both easily above anything Hollywood has produced in recent years), and a rare sense of rhythm of speech. But really out of scale in the original, and usually by a soundtrack of Greg Edmonson, despite some repetition too, we have to gamble with Batman: Arkham City for the title of top-2011. Who was fasting in the series, however, should not worry. Beyond a couple of subtexts related to a history of Nathan the beautiful Chloe (refer to chapter two), there are big holes to fill. Instead, the game is perfect as a starting point for references to the past of the protagonists.